Friday, November 07, 2008

Links for the Day (November 7th, 2008)

1. Two passings of note: Writers John Leonard and Michael Crichton. Links above take you to their GreenCine entries, rounding up the remembrances.

["With sadness we learn of the passing of John Leonard, incomparable critic and mentor to many, supporter of books and writers new and not so new, long time New York Times Book Review editor and critic, and a founding member of the National Book Critics Circle. "]

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2. "Divide and Conquer": Adrian Martin on "a world of possibilities in the unstudied field of DVD chaptering."

["There is a complete disconnect between the practice of chaptering and its theory—partly because that theory, as it was developed and practiced throughout the 1960s and ’70s under the title of “segmentation,” has been largely forgotten today. From Christian Metz to Raymond Bellour, and with much tweaking all over the world by such expert narratologists as Brian Henderson, films were minutely carved up into their constituent units—and all the divisions required elaborate (sometimes laborious) metacritical justifications. What is the difference between a scene and a sequence, as the collocation of several scenes? How do we tabulate passages built out of the alternation between two or more scenes? What about the force and meaning of classic transitional devices—an overlap or superimposing dissolve, as opposed to a stark fade-to-black? At stake, finally, was an entire conceptualization of narrative and its material, cinematic articulation. Bellour spent several years, in seminars, carving up Vincente Minnelli's Gigi (1958) in this way: from its largest-scale sections to its smallest-scale instants, he used this process as a way to notice and explore a film’s formal shapes, its insistent repetitions and meaningful transformations. But we can only dream of a new DVD edition of Gigi from Warner Bros. that would apply Bellour’s painstaking segmentation to its chapter breakdown."]

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3. "Inauguration Day 2009: My ‘Godfather’ fantasy": Marshall Fine imagines...

["Yes, I know – Barack Obama’s election is a fresh start for the country, a time to put old bitterness and recriminations behind us and focus on the future, rather than the past. Still … Like so many people, I am incredibly bitter about what’s been done to my country for the past eight years. And the fact that so many of these power abusers and profiteers will probably walk away scot-free on Jan. 20 really rankles. So, as I walked upstairs last night after listening to Obama’s victory speech, I took a moment to indulge a fantasy of extreme rendition. In my mind, it played out a lot like the closing montage of “The Godfather,” except without the gunfire."]

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4. "Have Hope! Women Create Peace in Liberia": Elisabeth Donnelly interviews director Gini Reticker about her documentary Pray the Devil Back to Hell.

["If it wasn't for a softball game in the Westchester suburbs, the stirring documentary Pray the Devil Back to Hell—the inspiring story of a group of Liberian women who brought peace to their war-torn country—may not have taken shape. But producer Abigail E. Disney and Oscar-nominated director Gini Reticker reconnected while watching their daughters at bat, and soon after, both women were traveling to Liberia to put this story on film. The result is a moving testament to the power of peacework in the most horrifying of times, as the country was led by a violent dictator (Charles Taylor) and vulnerable to the savagery and terror of rebel warlords and their child soliders. A sensation at the 2008 Tribeca Film Festival, the film won the prize for the Best Documentary Feature. In a recent phone interview with Tribeca, Reticker, who was due to travel to Brazil for the San Paolo Film Festival the next day, talked candidly about the struggle of making this film, its reception, the strength of these women, and what you can do to help."]

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5. "An Alphabet of Favorite Films": Consider this a tagging of all Links for the Day readers. Follow Ed Howard's example, originally via Blog Cabins, and take cinephilia alphabetical. I'll start below.

["The Film Doctor has asked me to contribute to a meme started by Blog Cabins: a list consisting of one film for each letter of the alphabet. It's a surprisingly tough task, resulting in something very different from what I might pick if simply asked for favorite films without such restrictions. So here it is..."]

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Quote of the Day: Lillian Eichler Watson

"Don't reserve your best behavior for special occasions. You can't have two sets of manners, two social codes—one for those you admire and want to impress, another for those whom you consider unimportant. You must be the same to all people."


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Image of the Day (click to enlarge): "The last remnants of the old republic have been swept away."



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Clip of the Day: "We're V.I.P.'s."

_____________________________________________________
"Links for the Day": Each morning, the House editors post a series of weblinks that we think will spark discussion. Comments encouraged. Suggestions for links are also welcome. Please send to keithuhlich@gmail.com.

17 comments:

Keith Uhlich said...

In no way definitive, and with more than a few cheats:

Andrei Rublev (1966, Andrei Tarkovsky)

Barry Lyndon (1975, Stanley Kubrick)

Color Purple, The (1985, Steven Spielberg)

Dark City: Theatrical and Director’s Cuts (1998/2008, Alex Proyas)

End of Evangelion (1997, Hideaki Anno & Kazuya Tsurumaki)

Flowing (1956, Mikio Naruse)

Generation Kill (Susanna White, Simon Cellan Jones, Ed Burns, David Simon, Evan Wright, 2008)

House of Mirth, The (2000, Terence Davies)

In a Year with 13 Moons (1978, Rainer Werner Fassbinder)

John Carpenter’s The Fog (1980, John Carpenter)

K Street (2003, Steven Soderbergh)

Looney Tunes: Back In Action (2003, Joe Dante)

Miami Vice: Theatrical Cut (2006, Michael Mann)

New World, The (2005, Terrence Malick)

Once Upon a Time in the West (1968, Sergio Leone)

Play Time (1967, Jacques Tati)

Queer as Folk (1999, Sarah Harding, Charles McDougall, Russell T. Davies)

Rayon vert, Le (The Green Ray) (1986, Eric Rohmer)

Spies (1928, Fritz Lang)

Twin Peaks: Fire Walk With Me (1992, David Lynch)

Up, Down, Fragile (1995, Jacques Rivette)

Videodrome (1983, David Cronenberg)

Winter Light (1962, Ingmar Bergman)

X-Files, The: I Want To Believe (2008, Chris Carter)

Young Girls of Rochefort, The (1967, Jacques Demy)

all that jazZ (1979, Bob Fosse)

Fernando F. Croce said...

Well, this really was harder than it looked. It'll be a different batch every time somebody asks, probably, but right now here it is (with just one cheat).

Antonio das Mortes (1969, Glauber Rocha)

Bitter Tears of Petra von Kant (1972, Rainer Werner Fassbinder)

City Girl (1930, F.W. Murnau)

Destiny (1921, Fritz Lang)

Europa ’51 (1952, Roberto Rossellini)

Faces (1968, John Cassavetes)

Go West (1925, Buster Keaton)

Happy Together (1997, Wong Kar Wai)

I Walked with a Zombie (1943, Jacques Tourneur)

Je Tu Il Elle (1974, Chantal Akerman)

Kill Bill (2003-2004, Quentin Tarantino)

The Life and Death of Colonel Blimp (1943, Michael Powell)

The Mother and the Whore (1973, Jean Eustache)

The Naked Kiss (1964, Sam Fuller)

On Dangerous Ground (1952, Nicholas Ray)

Princess Yang Kwei Fei (1955, Kenji Mizoguchi)

Queen Kelly (1928, Erich von Stroheim)

Ruggles of Red Gap (1935, Leo McCarey)

Some Came Running (1958, Vincente Minnelli)

Through the Olive Trees (1994, Abbas Kiarostami)

Une Femme Douce (1969, Robert Bresson)

Viridiana (1961, Luis Bunuel)

Wagon Master (1950, John Ford)

Monsieur VerdouX (1947, Charles Chaplin)

Yi Yi (2000, Edward Yang)

Zéro de Conduite (1933, Jean Vigo)

Bruce Reid said...

What the hell. I hope a comment on each isn't too much.

Angel exterminador, El
Bunuel's best set-up and, against even stiffer competition, his funniest ending.

Bitter Moon
Well, I laughed.

Christine
Carpenter's most underrated, a sad little dissection of American boys' silly little infatuations.

Days of Heaven
Danger: Diabolik
What, I can't have one tie? A visually stunning meditation on the fluidity of guilt and the mutual responsibilities between society and the individual; and Malick's second film.

Eijanaika
Rebellion, Japanese-style; which turns out to be a lot like that played out from Chicago to Capetown.

Forty Guns
Naturally.

Golddiggers of 1933
Ereway inay the oneymay....

House by the River
Even the pipes shiver with angry desire in another of the supposedly disappointing Langs that turns out more vibrant, dangerous, and compelling than just about any other movie around.

In a Lonely Place
Hollywood's truest self-laceration, since the joy Bogart expresses in playing the monster is what made us make him a star in the first place.

Jeanne la Pucelle
Rivette waits almost six hours to make his point about Joan of Arc, crams it into the final shot of the film, and to my eyes eclipses even Dreyer and Bresson.

King of New York
Victor Argo freeing himself from his handcuffs; Walken realizing he'd only dreamed that his were off. Tough, haunting stuff; not that the car chase hurts, either.

Long Day Closes, The
Wish I knew, if he knew, what I'm dreaming of. Tammy, Tammy, Tammy's in love.

Monkey Business (Hawks)
My favorite shot in all the movies? Probably the deep focus sight of infantalized Grant, tempted to comfort a crying Rogers, instead leaping over the fence to go play with the boys.

Night of the Hunter
"Chil-dren!"

Othello
Welles always teetered precipitously between giddy excess and gloomy melancholia. That's why the more battered and ragged his movies are, the better they play, like furious sketches for a masterpiece too big for the screen to contain. So I prefer this before his daughter got her hands on it.

Passenger, The
The dunes are stunning, the courtyard transcendent, but from my first viewing I've never gotten over the shot from the tram.

Q
Cohen's too sloppy and rushed for most of his films to live up to their cult status; here the slapdash feels like fun, and Moriarty justifies all the faith Cohen's had in him since.

Reign of Terror
The movements and motions of great men of history, finally brought down to a B-movie thriller where their tawdry actions belong. Bonus points for the most startling onscreen murder I've ever seen.

Sherlock, Jr.
Frankly, more for the marvelous bit of Buster tailing his rival in lockstep than the undeniable genius of the dream sequence.

The Ladies Man.
Because I can't deny Davies, but Miss Cartilage, Buddy Lester's hat, and the greatest set in movie history had to fit in somehow.

Ulzana's Raid
So much harsher and more haunted than it has to be; possibly my favorite Aldrich.

Vincent & Theo
The most terrifyingly human portrait of insanity I know, with Roth's bored eyes indifferently tallying up all of his options before always leaping to the horrific choice just for the hell of it.

Whisky Galore
A genial, breezy portrait of social chaos and good deeds leading to ruination as only Mackendrick could pull off. Did anyone have a lighter touch portraying the ruthlessness of fate?

X: The Man with the X-Ray Eyes
Scared me when I was eight, scares me today.

Young Frankenstein.
"Werewolf!"
"Werewolf?"
"There wolf."

Zatoichi (Kitano)
A lively, affectionate rebuke to The Seven Samurai; why shouldn't the town celebrate the new safety of their home; why should we weep for the warriors marching off in the blind self-pity of their wintry isolation?

Sheila O'Malley said...

I really struggled with some of these! I had multiple movies for one letter of the alphabet and none for other letters - but here go my comments. (And loving reading everybody else's choices as well):

Another Woman (Woody Allen, 1988)

Ball of Fire (Howard Hawks, 1941)

Compulsion (Richard Fleischer, 1959)

Double Life of Veronique (Krzysztof Kieslowski, 1991)

Eternal Sunshine of the Spotless Mind (Michael Gondry, 2004)

Fearless (Peter Weir, 1993)

Groundhog Day (Harold Ramis, 1993)

His Girl Friday (Howard Hawks, 1940)

It Happened One Night (Frank Capra, 1934)

Joe vs. the Volcano (John Patrick Shanley, 1990)

Kwik Stop (Michael Gilio, 2002)

Lady and the Tramp (Clyde Geronimi, Wilfred Jackson, Hamilton Luske, 1955)

Moulin Rouge (Baz Luhrman, 2001)

Notorious (Alfred Hitchcock, 1946)

Only Angels Have Wings (Howard Hawks, 1939)

Paradise Alley (Sylvester Stallone, 1978)

Quiet Man (John Ford, 1952)

Roaring Twenties (Raoul Walsh, 1939)

Searchers (John Ford, 1956)

Truly Madly Deeply (Anthony Minghella, 1990)

Up the Down Staircase (Robert Mulligan, 1967)

Vertigo (Alfred Hitchcock, 1958)

What's Up Doc? (Peter Bogdonavich, 1972)

Xanadu ("directed" by Robert Greenwald, 1980) - the stupidest movie ever, but do I still listen to the soundtrack on almost a weekly basis? Yes.

Young Frankenstein (Mel Brooks, 1974)

Zodiac (David Fincher, 2007)

Ryland Walker Knight said...

Wow, that was a tough, goofy way to waste 30 minutes. Still, a funny (how many times will I use the same director? do I try to feign cool and pick esoterically? fuck that: don't I just go from the gut?) angle on the bigger picture I'm trying to offer over at this sister blog. Too many great movies start with the same letter. I, too, had to fudge things in spots. What I found toughest was discriminating between one of the biggest things ever and one of the smallest things ever so I went ahead and listed both; it's the only two-fer I gave, although I coulda given more, of course.

Here goes --

Andrei Rublev (1966, Andrei Tarkovsky)
Beau Travail (1999, Claire Denis)
Le Cochon (1970, Jean Eustache)
The Darjeeling Limited (2007, Wes Anderson)
Earth (1930, Aleksandr Dovzhenko)
Faces (1968, John Cassavetes)
Groundhog Day (1993, Harold Ramis)
His Girl Friday (1940, Howard Hawks)
INLAND EMPIRE (2006, David Lynch)
Jaws (1975, Steven Spielberg)
Kings and Queen (2004, Arnaud Desplechin)
Love Streams (1984, John Cassavetes)
Mirror (1975, Andrei Tarkovsky)
The New World (2005, 2006, 2008, Terrence Malick)
On Dangerous Ground (1952, Nicholas Ray)
Out 1 (1971, Jacques Rivette)
Playtime (1967, Jacques Tati)
Quick Change (1990, Bill Murray)
Rules of the Game (1939, Jean Renoir)
Sans Soleil (1983, Chris Marker)
The Thin Red Line (1998, Terrence Malick)
Unfaithfully Yours (1948, Preston Sturges)
In Vanda's Room (2000, Pedro Costa)
Where does your hidden smile lie? (2001, Pedro Costa)
Xiao Wu (1997, Jia Zhang-Ke)
Yi Yi (2000, Edward Yang)
Zelig (1983, Woody Allen)

Lauren Wissot said...

I’m too disgusted by the Image of the Day to even attempt #5. Craigslist goes down while former governor and john Eliot Spitzer gets off (no pun intended).

Mike said...

Well, mine will probaby be more mainstream... sorry, this is the best I can do at work.

After Life & The Apartment - My only tie - I promise. The Hirokazu Koreeda movie offered a strangely human exploration of the idea of heaven and eternity. I fell in love with Shirley MacLaine watching the Apartment.

Big Sleep, The - Bogart and Bacall may have had the best chemistry of anyone ever in Hollywood.

Crimes and Misdemeanors - A weird rumination on pain and guilt. For this one I can forgive crap like Anything Else.

Duck Soup - It's hillarious. What more explanation do you need?

Empire of the Sun - I still think this is Speilberg's best.

Few Good Men, A - I will admit it, I have a soft spot for Aaron Sorkin. The dialog in this movie is like something out of a 1930s radio play. it's a joy to listen to.

Goonies, The - Come on, you don't have any favorite movies from when you were a kid?

High Fidelity - A romantic comedy about obsessive geeks and losers. If this movie doesn't sum up Generation X, I don't know what does.

It's a Wonderful Life - This movie consistently makes me cry. For every dreamer, this is the movie they should watch after they've lost those dreams.

Joe Versus the Volcano - I used to think I was the only one who appreciated this movie, but it's been making a strong critical comeback. Who knew?

Kiki's Delivery Service - My favorite Miyazaki. The story of a little witch who finds her place.

LA Confidential - Noir done right is a beautiful thing.

Moonstruck - Remember when Nick Cage was fun to watch?

Navigator: A Mediaeval Odyssey, The - Vincent Ward's brilliantly weird and visionary story of time travellers trying to escape the black plague. After this, I still want to see his take on Alien3.

One Flew Over the Cuckoo's Nest - Though it's clearly structured to manipulate the audience into rooting for the lovable mental patients against the ward attendants, there's so much to enjoy in the performances. Plus, remember when it was fun to watch Jack playing Jack?

Princess Bride, The - Talk to almost any girl from my generation, and they all want love, Princess Bride-style. Not bad for a movie that was a commercial flop.

Quiet American, The - It's hard to say who underrates Brendan Fraser more - the audience or himself, when choosing roles. This movie stuck well to the Graham greene story, turning the build-up of the Vietnam War into a clever whodunit.

River Runs Through It, A - I grew up in awe of my brother's ability to do most anything, and ashamed of not having the same abilities. Until I saw this movie, I never saw that captured in film as well.

Shawshank Redemption, The - It's my favorite film. Yeah, it's made up of pieces of every prison movie that came before it, and it's got tons of stereotypes, and a very rose-colored glasses view of prison, but what can I say. The heart wants what the heart wants.

Third Man, The - I know people who love the soundtrack to this movie, but I hate it. Other than that annoyance, this is a perfect film noir, of the harder-edged, less stylized dialog, British style.

Unbreakable - Still the best presentation of what a real-life superhero would be like.

Vertigo - It wouldn't be a list without a Hitchcock movie. And Jimmy Stewart shows his acting chops in this one.

West Wing, The - Sorry, after the Obama win, I've been reliving all the joy I had watching this show. It's also made me realize how underappreciated its last two seasons were.

X-Men 2: X-Men United - I had to have an X movie. I chose the second, as I figured I couldn't go wrong with a summer blockbuster that uses superhero mutation as a metaphor for homosexuality.

Yi-yi - A beautiful little movie. Excuse me while I add it to my queue.

Zero Effect - Sherlock Holmes for a modern era. Bill Pullman's finest and least seen performance.

theoldboy said...

Alien (1979, Ridley Scott)
Blue Velvet (1986, David Lynch)
The Conversation (1974, F.F. Coppola)
Dawn of the Dead (1978, George Romero)
Eyes Wide Shut (1999, Stanley Kubrick)
The 400 Blows (1959, Francois Truffaut)
The Good, The Bad, and The Ugly (1967, Sergio Leone)
A History Of Violence (2005, David Cronenberg)
Ichi the Killer (2001, Takashi Miike)
JFK (1991, Oliver Stone)
Kundun (1997, Martin Scorsese)
El Laberinto Del Fauno (2006, Guillermo Del Toro)
Manhunter (1984, Michael Mann)
Nashville (1975, Robert Altman)
Oldboy (2003, Park Chan-wook)
Punch-drunk Love (2002, Paul Thomas Anderson)
QT's Rolling Thunder Pictures Presents Wong Kar-Wai's Chungking Express (1994, Wong Kar-Wai)
Rushmore (1998, Wes Anderson)
Starship Troopers (1997, Paul Verhoeven)
The Texas Chain Saw Massacre (1974, Tobe Hooper)
Unforgiven (1992, Clint Eastwood)
Vertigo (1957, Alfred Hitchcock)
Werckmeister Harmonies (2000, Bela Tarr)
die Xue jie tou (1990, John Woo)
Yojimbo (1961, Akira Kurosawa)
Z (1969, Costa-Gavras)

Exercises like this make me uncomfortably aware of my massive blind spots.

theoldboy said...

I like how Mr.Uhlich has both End of Evangelion and Fire Walk With Me on his list. They're very much kindred, tortured spirits.

Matt Maul said...

Michael Crichton's talent as a writer was reaffirmed for me when this year's "updated" (and heavily altered) remake of The Andromeda Strain seemed ironically more dated than the original and more faithful 1970s version.

george said...

Used foreign language/English title as it suited me. If that makes me a cheat, well then…

Au Hasard Balthazar – Robert Bresson
Bade Runner – Ridley Scott
Chinatown – Roman Polanski
Double Indemnity – Billy Wilder
Every Which Way But Loose – James Fargo
Fanny – Joshua Logan
Gilda – Charles Vidor
His Girl Friday – Howard Hawks
It Happened One Night – Frank Capra
Jean De Florette (with Manon Of the Spring, i.e part 2) – Claude Berri
Krótki Film O Milosci (Short Film About Love) - Krzysztof Kieslowski
Les Enfants du Paradis (Children Of Paradise – Marcel Carné
Metropolis – Fritz Lang
None But The Lonely Heart – Clifford Odets
On The Waterfront – Elia Kazan
Pandora’s Box - Georg Wilhelm Pabst
Quiet Man – John Ford
Roman Holiday – William Wyler
Searchers – John Ford
Third Man, The – Carol Reed
Un Coeur en Hiver (A Heart In Winter) – Claude Sautet
Vor (Thief)- Pavel Chukhraj
Wild Bunch – Sam Peckinpah
X–15 – Richard Donner
Year of Living Dangerously – Peter Wier
Zulu – Cy Endfield

Ross Ruediger said...

1) There are far too many great movies that begin with the letter B.

2) Y was the toughest. It was down to three (the others being "You Can Count on Me" and "Your Friends and Neighbors"), but ultimately Bond won out since 'tis the season.

A Clockwork Orange
Blue Velvet
Crash (Cronenberg)
Donnie Darko
Eyes Wide Shut
Fisher King, The
Graduate, The
Harold & Maude
Innocents, The
Jackie Brown
Kingpin
Love Actually
Marnie
Naked Lunch
One Flew Over the Cuckoo’s Nest
Planes, Trains and Automobiles
Quiz Show
Rocky Horror Picture Show, The
Sunset Boulevard
Tootsie
UHF
Vertigo
Withnail & I
eXistenZ
You Only Live Twice
Zodiac

Simon Hsu said...

2001: A Space Odyssey
Aguirre, The Wrath of God
Birds, The
Cafe Lumiere
Dillinger is Dead
Exterminating Angel, The
Faces
Goodfellas
Hiroshima Mon Amour
Intentions of Murder
Jetee, La
Kiki's Delivery Service
Le Trou
My Darling Clementine
New World, The
Only Angels Have Wings
Pierrot Le Fou
QT Presents Chungking Express
Regular Lovers
Sans Soleil
Three Times
Untouchables, The
Vanda's Room, In
Wire, The
Xiao Wu
Yi Yi
Zwartboek

-U and Q were tough
theoldboy: your Q choice is brilliant, I hope you don't mind me snagging it.

-I included an addendum: a # movie. I brainstormed a number (buzzzing!) of possible choices, from 300 to 12 Angry Men before deciding on my oh too obvious pick (two others came close, 2046, 8 1/2). 10,000 BC is mildly upset.

Ross Ruediger said...

I just now went back and looked at the original rules of the meme and "A Clockwork Orange" technically doesn't count as an "A" title.

For some reason, I consider the "A" to be a huge part of the title. It's not like a "The". It wouldn't have felt right to put it after Orange with a comma in between. Just thought I'd mention it.

Simon Hsu said...

Oops. I just read the meme rules and realized numbered movies countt for the first letter of the number spelled out. Plenty of other cheats abound.

villainx said...

Image of the Day (click to enlarge): "The last remnants of the old republic have been swept away."

Just a bit too late to save Spitzer.

judyscat said...

A- Amelie
the amazing adventure of the little strange and lonely french girl.

B- Boondock Saints
The only mafia movie I've ever fallen in love with.

C- Closer
A simplistic beautiful and sad movie about relationships.

D- Dirty Dancing 2
Much better than the first, and the dancing is so much more fun!
good-feel movie

E- English Patient, the
What can one say? beautiful story, and excellent acting.

F- Fear and Loathing in Las Vegas
Surreal but still real gonzo- journalism.

G- Grave of the Fireflies
One of the best war-movies ever, and the saddest film I've ever seen.

H- Hero
A true artwork with excellent acting, setting, pictures and music. And the plot is magnificent as well.

I- I Kina Spiser de Hund
A danish comedy which hits hard.

J- Juno
cool music, cool acting, a serious theme.

K- Kings New Groove, the
The funniest movie for a while. I still remmember 80 % of the quotes.

L- Lilja 4-ever
A russian movie, I think. About trafficing, prostitution, powerty and friendship. the best and worst scene is when Rammstein is singing "Mein Hertz Brennt" ( My heart is burning).

M- Music Within
A comic yet serious movie about loosing your senses, but finding whats real.

N- Neverending Story
One of my favourites from my childhood. the acting isnt all that, but the story and the feel is unforgettable and I am still in love with Atreyu ;)

O- Once
Just saw this one, and yet it was pretty slow, I was still intrigued because of the charachters and their wonderful music.

P- Peter Pan (2003)
I fell in love with Jeremy Sumpter and Rachel Wood. All the characters are so well cast, the music is fantastic, and the fantasy feel is not overly done.

Q- Queen of the damned
I found Q very hard to figure out, but when I finally found one, I was pleased it wasnt one I didnt like. This one is actually my favourite vampyre movie.And Aliyah was actually a great actress.

R- Reservoir Dogs
A Tarantino movie was sorely needed, and I think this is one of his best.

S- Spirited Away
Chihiro put a spell on me.

T- Titanic
No matter how many people claim this to be a blockbuster, it doesnt matter. i still love this movie, and the chemistry between Winslet and DiCaprio.

U- Untouchables, the
I remember I didnt think I would like this one at all, but I actually loved it, and have seen it many many times.

V- V for Vendetta
V is spectacular, and Eve is magnificent. Go see!

W- Wild Things
One of the first movies I owned.

X- X-men
I liked this one, but didnt love it.

Y- You Only Live Twice
I love Bond movies, so it is only fair that one got a spot. I dont think this is the best one though.

Z- Zodiac, the
I had'nt even heard of this one when I sat down. A great thriller!