Wednesday, March 26, 2008

Torchwood, Season 2, Ep. 9: "Something Borrowed"

By Joan O'Connell Hedman

One of the sweetest scenes of the season-opening Kiss Kiss Bang Bang was Gwen (Eve Myles), wide-eyed, explaining to Jack (John Barrowman) that the ring she was wearing was an engagement ring. Rhys (Kai Owen) had asked, and she'd said yes, because "Nobody else will have me." Throughout the season the writing team has done a good job of referring to the wedding without making too big a deal of it, which was a very good thing. Anyone who has ever been married or planned a wedding knows how the process can take over your life; the problem is, the details you're obsessing over are deathly boring to the rest of the world. "Something Borrowed," a wedding episode, Torchwood-style, avoids both the precious and the obnoxious, with shape-shifting aliens, tons of snappy dialog, and terrific action set-pieces; in the end, love and a really, really big gun conquer all.

It's the night before Gwen's wedding, and she's chasing down an alien in the streets of Cardiff. She's also running late for her "hen do," a bachelorette party with her girlfriends, waiting at a local pub, wearing pink marabou-trimmed cowboy hats. The cross-cutting between the scenes highlights the delicious absurdity of each. Gwen shoots the alien, who conveniently leaves a trail of black blood; along the way Gwen notes that he can change form. She calls for backup, as she eventually corners the alien. He attacks her, biting the arm she throws up defensively. Jack arrives in time to blast the alien just as Gwen throws him off. Jack's concerned for the arm, but Gwen insists it's nothing, and heads out for her party.

From that zippy beginning, "Something Borrowed" continues spinning at least two, sometimes three, intertwining story lines, all cleverly interweaved and equally interesting. The "hen do" looks like a blast, even as Gwen frets that she's crazy to be out drinking when she's getting married in 13 hours.

Gwen wakes up bleary-eyed and alone the next morning; Rhys has spent the night at his best man's flat. Gwen squints across the room to see her wedding dress hanging outside the wardrobe, she gives an adorable clap of delight; today's her wedding day. She's not feeling her best though, and we immediately think, "hangover," but that's not it at all. The reveal here is awesome, as Gwen leans over to look into her mirror for confirmation of what she's already seen. She stands up and finally, we can see what's freaking her out: overnight, she's gone from svelte to eight months pregnant. Her "Oh," is so loaded with mixed emotions it would be difficult to list them all, taking us into the credits.

Then she's in the kitchen, pouring herself a glass of water and, true to cliché, eating pickles straight out of the jar as Jack explains how this could have happened. "Eggs passed in the bite," he explains. Owen insists that Gwen will be fine, if there were any major incompatibilities, she'd be dead already. How comforting. Owen further technobabbles that she'll have to undergo some procedures in a big machine and then be off her feet for a few days -- and Gwen stops him right there: she refuses to postpone the wedding. Jack tries to talk her out of it, but she won't be swayed, and agrees to the procedure only after the ceremony.

Jack and Owen head back to the Hub. Owen has another go at the dead alien's body to see if he can find anything else. Jack dispatches Tosh to keep an eye on Gwen at the wedding, and sends Ianto (Gareth David-Lloyd) to get Gwen a new - bigger - wedding dress. Ianto takes it in stride when the shop clerk assumes he's actually buying the dress for himself.

Gwen immediately calls Rhys, who's dead asleep on the sofa, still dressed in yesterday's clothes. Rhys covers like a pro, though, and launches into a spiel about how Banana (Jonathon Lewis Owen) is on the phone even now, confirming the flowers. Gwen doesn't care about that, of course, and insists on seeing Rhys, bad luck be damned.

Given the circumstances, Rhys deals quite well. His reactions: 1) Bastard Torchwood 2) you're pregnant 3) are you going to be all right? I think that's just about right, actually. When Rhys gets all pissed that Jack sent Gwen out last night, Gwen gets right into his face and shouts, reminding him, "It's my job!" Rhys wants to postpone the wedding, but Gwen, in a very sweet speech, convinces him that all she wants to do is marry him, today. Rhys agrees.

Tosh cajoles Owen into joining them at the wedding, and the two of them have their most comfortable scene, ever. Owen even promises to dig out his dancing shoes, after the obligatory "dead can't dance" reference.

One of the highlights of this episode is meeting Gwen's and Rhys's parents. Gwen's parents' reaction to her pregnancy is awesome, particularly her mum's glee when she contemplates how Rhys's mother will take it. The dynamic between the two mums is characterized by poisonous charm; if they're speaking to each other, they're trading insults, usually veiled as compliments. It's delightful when they drop the pretense and let the claws be seen. When Rhys's mother, Brenda (Nerys Hughs), complains she wasn't late for her own wedding, Gwen's mum, Mary (Sharon Morgan), can't resist replying that she couldn't dare, otherwise her husband might've got away.

Since Gwen is pregnant with an alien, the rest of the plot revolves around getting her un-pregnant again. There are two possibilities: Owen does his techno-magic, or she's ripped apart by the alien's mate. It seems the males carry the fertilized eggs and transfer them through the bite, while the female waits around until the proper time, and then tears open the host to deliver the offspring. Tosh spots the female alien quickly; she'd just picked up the DJ in the bar. Unfortunately, Tosh is too late to save the poor guy, and the idiotic Banana Boat stumbles in just as she's about to take the alien down. Tosh and Banana end up bound together in black webbing, unable to move much, but able to speak just fine. Tosh had already told this guy off at least three times, but he just doesn't get it, and she ends up threatening to turn him into a castrati if he doesn't behave himself. You can see why Tosh doesn't get many dates, at least not with the kind of men she'd actually want to go out with, but I love her in these scenes anyway. She is who she is, and she's not going to change a bit just because a handsome blond guy offers to buy her a drink.

Tosh is out of commission and Gwen has no clue she's being stalked, so Jack, Owen, and Ianto take off for the wedding in the SUV. Jack notices that Owen's packed the hit-or-miss singularity scalpel, first seen in "Reset," and Owen launches into a reasonable sounding defense of its use to get that alien out of Gwen. Ianto agrees with Owen, leading to one of my favorite exchanges (of many). Jack asks, "What is with you? Ever since Owen died, you always agree with him." Ianto replies, "I was taught never to speak ill of the dead, even if they're still doing most of their own talking." The whole Owen-is-dead situation has become blessedly routine, and I was surprised at how I was able to enjoy the references to it throughout this episode.

Gwen, looking as lovely as an extremely gravid bride can look, breaks down and confesses to her father that the baby isn't Rhys's. Her dad, quite reasonably, thinks she's talking about another man, but Gwen spills the whole Torchwood/space-time rift/alien baby story. Dad thinks it's just the stress of the wedding that's got to her, and dismisses the whole thing. Rhys's father, on the other hand, thinks he can still talk his son out of marrying this crazy woman, but Rhys matches Gwen's earlier fervent passion in insisting that he loves her and is going to marry her.

Finally, here's Gwen walking down the aisle on her dad's arm, with her attendants following, contrary to the American tradition. The minister begins the ceremony by asking the official "Are there any objections?" And wouldn't you know it, just at that moment, Jack comes running in, yelling for them to stop.

Of course Rhys is livid, and Gwen only slightly less upset, but they listen to Jack's explanation. Meanwhile, Ianto and Owen locate Tosh by her comm signal, and free Tosh and the best man. They dash down to the chapel, and Tosh recognizes the female alien. The all open fire on her, but she jumps through the window and takes off.

Whether its maternal drive or just a hardier constitution by nature, this alien is impossible to kill. The team keeps pumping it full of bullets but it just doesn't stop. It's also incredibly smart in its choice of individuals to copy, first choosing Rhys's mum; Gwen saves her by recognizing her "god-awful" perfume. But then they realize, if this is the real Brenda, who's out there in the garden with Mary? Gwen has two incredible scenes with the shape-shifter, and this is the first, where she appears to be sacrificing herself to save her mother. Luckily, she was hiding her gun behind her bouquet, and emptied a clip into the alien before it could hurt anyone.

Later, she's alone in her room while Owen trains Rhys on the singularity scalpel, citing his broken hand and noting it would be better for someone with two good hands to use it. The creature is Jack this time, and it is so restrained, and so perfectly mimics Jack that for the majority of the scene, we can't be sure who it really is. It's only when it reveals its teeth and claws that we see it isn't the real Jack. We have to wonder if Gwen knew all along, because the conversation was more intimate than any we've ever seen them share. Barrowman must have had a blast in the monster make-up, which gave him a legitimate excuse for an over-the-top performance.

Owen remarks on how much ordinance they've put into the alien, and the fact that she's still standing. Jack remarks they're going to need a bigger gun, and we get a brief scene of them assembling a very large weapon out of three separate cases from the back of the SUV. "Torchwood is ready," the season two opening voice-over remarks; are they ever.

There's a bit of running around, but not too much, and Gwen notes that running in a wedding dress with what feels like a keg of lager stuffed up her skirt is less than ideal. She ends up with Rhys in the stable, pursued by the creature that has once again assumed the form of his mother. Rhys manages to operate the singularity scalpel perfectly on only the second try; of course we knew he wouldn't blow up Gwen, although he did cause a small explosion with his first attempt. With the alien offspring gone, you'd think its mother would give up, but no; she breaks down the door and demands her child.

Rhys grabs a chainsaw and starts it up, prepared to hack the alien to bits, after telling it off quite thoroughly: "I have had a gutful of you. You get my girlfriend pregnant, you impersonate my mum, and you ruin my wedding day." He lifts the chainsaw, and it sputters off. "Fuck," he stammers. The alien, a grotesque of his mother, drawls, "Rhys, you're a bad boy." Her voice rises, "and you know what bad boys get?" Blown to bits by Captain Jack and that really big gun, that's what. Black goo flies everywhere. Jack's all swagger, complimenting Rhys on his Evil Dead look, and picking up Gwen from the hay and giving her a hug that lasts about a second too long. He confirms that she's OK, and joins her hand to Rhys's: "The hero always gets the girl." Rhys still can't quite believe what just happened. He knows that there is a love between Gwen and Jack, but that Gwen chose him; now he knows that Jack is acknowledging that fact as well.

The happy couple finally get through their vows, and we cut to the reception. Rhys and Gwen are dancing, and Owen asks Tosh out onto the floor as well. Jack cuts in on the newlyweds, and he and Gwen do that "talking about things not related to the words we're speaking" thing; he's going to miss her while she's away on her honeymoon, but he'll be busy with Ianto, pizza, and saving the world a few times. Ianto cuts in and, as required, he doesn't want to dance with Gwen, but with Jack.

And now they're all back at a table. Gwen notes the events of the day have been too much for the parents, who are all passed out at the head table. Brenda and her mum are leaning against each other, holding each other upright. Both Gwen and Rhys are surprised to see that. Glancing around, the couple realize that everyone is passed out; turns out, that's what level 6 Retcon will do when it's mixed with champagne. "You drugged our families?" Gwen asks. Jack nods, and suggests they might want to forget the whole thing themselves, sliding two innocent-looking glasses of champagne towards them. They decline -- no more secrets! And they head off to their honeymoon, not worrying about how everything will sort itself out.

They don't have to, of course; the rest of the team is still there, and it's their job to clean up this huge mess. We haven't heard anything about implanting memories, but we know they can fake all sorts of things. There's nothing they can do for the poor dead DJ, but they'll concoct a cover story for his death, and they'll somehow leave everyone with the impression that the wedding was both "drop-dead gorgeous" and "class on toast." They're Torchwood, and that's what they do.

If you've any doubts by this point, "Something Borrowed" is the high point of the season so far. The guest cast was uniformly fantastic, friends and families, all. The creature effects were a bit over-the-top, but it all worked marvelously. My highest compliments to freshman writer Phil Ford, who kept our characters in character, while filling in backstory we had no way of imagining, all while delivering drama, action, and laughs. Last, I have to mention how beautiful the locale was. Both the interior and exterior sets were, indeed, "drop dead gorgeous," and it was delightful to see everyone so dressed up for a change. It's all these little things that combine to make it so perfect, as Ianto says, "That's what I love about Torchwood. By day, you're chasing the scum of the universe. Come midnight, you're the wedding fairy."

We close on a tiny scene with Jack, back alone at the Hub. He blows a handful of confetti into the air with a relaxed smile on his face, then goes to his desk to retrieve something. He chuckles softly as he leafs through the old photographs he takes out of a battered box, finally pausing over one: his wedding picture, from long ago. The camera pulls back as we watch Jack get lost in his memories. It's a lovely moment, and helps us to understand, perhaps, why Jack is happy to let Gwen marry Rhys.

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Joan O'Connell Hedman sometimes blogs about movies and television. This article's screencaps are from The Institute, a Torchwood fan site.

9 comments:

Ross Ruediger said...

Joan,

First and foremost...Shipper! ;-)

This was a lively, spirited recap of a fun episode. Your enthusiasm for the material came through via the speedy movement of the piece you wrote. I can in no way agree that it was the highpoint of the season thus far, but I had a lot of fun with it, regardless.

After the darkness of the last two eps, it was well placed and perfectly timed. I dare call this the TW equivalent of a chick flick. That's a term I despise, yet it's so well-known that it gets my point across effortlessly. And I dig well-executed chick flicks, by the way - and this one was.

It showcased the whimsical side of TW that we've not really seen since KKBB at the season's start. It's interesting that the production team promised a lighter tone for this season, but really, aside from the camaraderie and tiny bursts of hope & comedy, S2 hasn't been any lighter than S1. Don't get me wrong - I've no problem with any of this. If anything, I was worried S2 would be *too* light. Sure, some of the writing could be tighter - but the overall tone of S2 is perfect.

By far, my favorite exchange here started with Jack: "Get back, you ugly bitch!"

And then the payoff a few seconds later when Rhys decks him: "That's for calling my mother an ugly bitch!"

I love Jack...but I also love Rhys. And I loved that both guys were just do damn Jack and Rhys in those moments. Rhys' knowledge and awareness of TW (and vice versa) have become a huge pleasure this season. One of the benefits of your recap series is the attention paid to the Jack/Gwen/Rhys triangle. It's a hugely important aspect of the series that's so masterfully underplayed it could easily go unnoticed by hicks like me. Again, the tone of it all works.

If I wanted to nitpick, I'd say that the use of retcon at the end was obvious overkill, but who really cares? That would take the fun out of it all. I'm starting to accept that the retcon, for better or worse, is just part of TW, and that it's a device being used to cover some ass. We already spend too much time pontificating about who does or doesn't know about TW. Why exacerbate it with the knowledge that everyone Gwen and Rhys know are also aware?

That last bit with Jack looking at the photo was cherry on cake.

Steven Cooper said...

While I'd still say "Reset" is the best of the season so far, this was very good, and definitely the most fun episode Torchwood has yet done.

The best part was the way all of the regulars (including Rhys) got to both share in the jokes and contribute to the plot; no one was left on the sidelines. Particularly nice were the snarky lines for Tosh -- the following exchange was my favourite:
"I'm the best man."
"Evolution is full of surprises."


By the way, Phil Ford also wrote two very good stories for the first series of The Sarah Jane Adventures, and is serving as head writer for the second series (currently in production). I'm curious to see how this spin-off will fare in America, particularly since Friday evening on the Sci-Fi channel seems a slightly odd timeslot for a series aimed largely (though not exclusively) at children. I hope it does well -- it's definitely a cut above your standard kids' TV.

Anonymous said...

Didn't like this episode for a million little reasons.

Gwen's friends buying that they simply didn't notice she was 8 months pregnant the night before?

Going forward with the wedding?

Plus, I have to say, I've never been able to buy Rhys and Gwen. their relationship on this show never seems real to me and never makes any sense. It feels like a tack-on that is used as a foil to Gwen/Jack (prolonging the whole "will they get together" tension) as well as a way to have an outsider looking in. It never feels organic to the story and seems like a cheap writers trick.

The alien that could not be killed? Even after the first alien was killed pretty easily?

the guy who sees his friend is murdered and is tied up w/ Tosh but is light hearted and trying to cop a feel?

I understand that this was a lighthearted episode, but the flaws keep growing every week instead of being ironed out.

Joan said...

Anonymous: someone woke up on the grumpy side of the bed this week, eh?

Torchwood has always operated on the well-worn principal that people believe what they want to believe, regardless of what their lying eyes are telling them. Of course it was ridiculous for Gwen's friends to believe they must not have noticed, but 1) Gwen is a good liar 2) most clubs have terrible lighting and 3) those girls were drinking before Gwen showed up. Plus, no one expected Gwen to be pregnant at her hen-do, any more than they expected her to be pregnant for the wedding ceremony. If someone you hadn't seen in a while wasn't pregnant yesterday, but was 8 months pregnant today, what would you think? There is no way to reconcile the two images, and our feeble brains will grasp onto even the slimmest reed of explanation, such as, "Wow, we must've been really knockered not to notice."

Personally, I have no problems buying the Rhys/Gwen relationship because they're from the same social class and went to college together. Gwen is not a super-sophisticate like Tosh or Owen, and obviously no one gets anywhere near Jack for life experience and well-developed tastes. I loved this ep for the glimpses it gave of the life that Rhys and Gwen have outside of TW. Didn't those pink cowboy hats crack you up? Didn't "class on toast" give you a clue that Gwen is much more Rose Tyler than, say, Diane Holmes. In fact, Gwen is a lot more down to earth even than Rose, since Gwen expected to get married and have kids before she joined Torchwood. Why is it any surprise that she still wants those things, after all?

I have ceased being amazed at how traditional and downright conservative R.T. Davies is, at least as demonstrated in TW. It's kind of sweet, actually.

Other things I had no problem with: 1) Banana hitting on Tosh even though Mervyn's corpse was in the same room: Banana is an idiot, but I don't think you noticed that. Tosh must have told him off four times and he still wouldn't give it a rest. I mean, shouldn't "Bananas make me vomit" have been enough of a clue?
2) The alien not dying: Moms are indestructible, didn't you know that? If we're alive and at all capable, we're going to keep fighting for our offspring.

I guess this episode had more of a Doctor Who vibe than usual, but I didn't mind that at all. You're either willing to suspend your disbelief or you're not. The one thing I really thought was missing was Gwen bitching about the horrible stretch marks she's got. You can't get rid of those suckers, you know, they're with you for life, and you get when the baby grows fast.

OK, I will admit, "Reset" and "Sleeper" were better for straight-up episodes. Just reviewing the episodes so far this season, they've really been pretty awesome. Even "Meat", which was downright stupid in its central premise, had great character development.

Ross: only you could proclaim an episode with an alien mother trying to rip open the protaganist on her wedding day, featuring lots of gore and shoot-outs, the equivalent of a chick flick. Not to get all Inigo Montoya on you or anything, but chick flicks are usually fluffy romances and require at least one box of kleenex. "Something Borrowed" was great because it was 1) a farce and 2) had enough violence to balance out the mush.

I agree, Rhys decking Jack for calling his mother an ugly bitch was awesome, but I have had to live with the idea that I can't get every little thing into these pieces or else they will never get done. Plus then they'd be so long that no one would read them at all.

I like to think that Jack got married not too long after he was sent back in time, before he realized he couldn't die. I think the timing is right for that, given the age of the photograph. That tiny bit of backstory deserves some exploration, I think. I wonder if they had any kids?

Anonymous said...

Joan,

Sorry, but your explanations don't fly. From what they have shown us of Gwen, she is nothing like Rhys. Sure, they hint at a past where she was similar to Rhys and their relationship might have made some sense, but nothing we have seen on the show actually demonstrates that she has anything even remotely in common with Rhys or makes their relationship seem real. Her scenes with him tend to take me out of the show and take her out of the character they have developed for her.

As far as "seeing what we want to see" - that explanation only works for some things. It does not work for this. Yes, people would be amazed that she wasn't pregnant yesterday but pregnant today, but they would not buy those ridiculous answers.

In fact, in this episode I thought Gwen was basically a new character. Almost nothing she said or did fit with anything she had previously said or done.

I thought it was a bad episode b/c it was a culmination of all the problems the series has had that they haven't fixed.

I like the Rhys character, unfortunately, I don't think he fits into the show and he does not make any sense whatsoever with Gwen. Every scene of those two alone/intimate feels forced and fake.

Don't get me started on age old questions about why the alien, in Jack persona, spent oodles of time pretending to be Jack when it was alone with Gwen instead of just ripping her open. Indeed, the alien had numerous opportunities to get at Gwen but did not. It's basically the same "evil villain spends 10 minutes telling the hero his plans" scenario. It made absolutely no sense.

Again, I think the writers are actually getting lazier and thus sinking to bad habits.

Joan said...

Anon: watch "Meat" and "Adam" again and see if you still think there's nothing real between Gwen and Rhys, and if you still think they have nothing in common.

There's a difference between badly written characters and characters not written the way you want them to be. I had a lot of problems with inconsistent characterization last year, but the show-runners have really been on top of that this year, and I think they're doing a bang-up job. I know people like Gwen (heck, I am like Gwen, w/o the alien-centric job... then again, I teach, so it's closer than you'd think), and I know people like Rhys, and their relationship makes perfect sense to me. Both Gwen and Rhys come from a solid middle-class background, and both are easily the smartest people in their set. But just because you're smart and you get a really cool job doesn't mean you ditch everyone and everything that's been in your life up to that point.

Re: the alien not ripping up Gwen when she had various opportunities: she was waiting for the right time, or as close to the right time as she could get. Owen and/or Jack described this, and the alien herself said the same thing when she ran into Gwen on the stairs: it won't be long now. When Gwen was walking down the aisle, the alien could hear her child's heartbeat and from her expression, it seemed as if the time would be soon, but she had to time her strike.

As has been said many times: you have to be willing to suspend your disbelief; if you can't get past the basic premise, you're not going to have any fun at all. That's your choice, of course, and the Lord knows, I'm not an apologist for this show, detesting episodes that a lot of other folks adored. But this one worked for me, for all the reasons I've mentioned.

Ross Ruediger said...

Steven Cooper wrote:

The Sarah Jane Adventures...I'm curious to see how this spin-off will fare in America, particularly since Friday evening on the Sci-Fi channel seems a slightly odd timeslot for a series aimed largely (though not exclusively) at children. I hope it does well -- it's definitely a cut above your standard kids' TV.

I'm predicting this series will utterly tank on Sci Fi - not that I want it to, mind you. I just don't see how it will appeal to their demographic. The only people I can see tuning in are classic DW fans (I have doubts that Lis Sladen is enough of a draw for fans of the new series). On top of all that, as you said Steven, the type of viewer (i.e. kids) this show is aimed at just doesn't watch Sci Fi for the most part. Adding to that, the eps generally run around 30 min each, right? Cutting them down to 23 min. is going to really hurt the narrative of the show I think. It's a shame - I think TSJA would have a much better chance on something like ABC Family over here.

Hopefully I'm wrong. I'm surprised Sci Fi jumped on it at all, and it makes me wonder if they're kicking themselves for losing out on TW, which I think would've been a perfect fit for the channel - much better even than DW.

Joan wrote:

Ross: only you could proclaim an episode with an alien mother trying to rip open the protaganist on her wedding day, featuring lots of gore and shoot-outs, the equivalent of a chick flick.

Hey, I qualified it.

heck, I am like Gwen, w/o the alien-centric job... then again, I teach, so it's closer than you'd think

Then I'm like Owen...except for the being dead part. Oh, and the being a doctor thing. But other than that...

Ross Ruediger said...

Oh, and while we're all playing "What's the best of the season thus far?" - my vote is still going to "Adam."

Steven Cooper said...

Ross -

Adding to that, the eps generally run around 30 min each, right? Cutting them down to 23 min. is going to really hurt the narrative of the show I think.

The ten episodes of the first series all ran between 26'45" and 28'20". The worst problem, though, is the special double-length pilot ("Invasion of the Bane"), which was a bit over 60 minutes long. If Sci-Fi try to squeeze it into a standard hour-with-commercials slot, it will end up severely hacked.

Then I'm like Owen...except for the being dead part. Oh, and the being a doctor thing. But other than that...

Introvert, geeky, spends lots of time with computers -- my Torchwood avatar is definitely Tosh... :-)