By Joan O’Connell Hedman
Torchwood dips into its Doctor Who back story ("Army of Ghosts", "Doomsday") in this sorry mess involving Cybermen, bathetic love, a pterodactyl, and a hapless pizza delivery girl. Redeeming qualities are few, but we can always hold out hope that the pterodactyl was mortally wounded and won't return.
As "Ghost Machine" showcased Owen (Burn Gorman), "Cyberwoman" belongs to Ianto (Gareth David-Lloyd), which proves to be the episode's undoing. Gorman's visible terror and barely contained rage stand in stark contrast to David-Lloyd's adolescent bleating and blubbering. Ianto is written here as a resentful and rather stupid adolescent, and David-Lloyd's over-the-top performance does nothing to convince us he's not.
Particularly annoying was a scene in which Ianto snarls at Jack (John Barrowman) for not caring about him, never asking him about his life. The rest of the team looks guilty. "Aw, poor Ianto," you can see they are thinking – but Jack is pissed, and rightly so. Ianto's love life is none of Jack's business, and working at Torchwood is deadly serious. The issue of whether or not Jack has ever loved anyone the way Ianto loved Lisa would be worth exploring, if Ianto loved Lisa in a realistic way, as opposed to the way toddlers love their teddy bears and refuse to give them up when they get too ratty. (For the record, I'm in favor of toddlers, and older children, keeping their much loved, and much abused, stuffed animals. They don't have the potential to enslave all humanity.)
The wall-to-wall Ianto would be enough to bury this episode, but Chris Chibnall, the series' lead writer, keeps piling on. It's bad enough that we're presented with Ianto's love, Lisa (Caroline Chikezie), dressed in a cross between a Roman soldier's kit (crested helmet, arm and leg sheathes) and a metal bikini. How, exactly, are we supposed to believe that any one at Torchwood thinks that the pterodactyl could actually defeat Lisa? The Lisa-v-flying reptile cuts feature the lamest fight choreography and worst use of blue screen I've seen in a long time. This chick electrocuted Jack to (temporary) death twice in the space of a minute and threw Ianto into a wall so hard he died, too. (Jack later revives him, more's the pity.) There was no way Lisa was going to lose that battle.
Other problems include the squickiness of Dr. Tanizaki (Togo Igawa) the cyberneticist, feeling up the unconscious Lisa; the repeated too-gory shots of the failed upgrade of the doctor; the inconsistent, maddening use of Jack's techno-wristband: enough power to get Gwen out of the upgrade chamber, and enough to open the door of the pterodactyl's hideaway, but not enough to do anything else useful. Last but not least, the callback to the pilot episode, with the pizza delivery girl being buzzed through the front office to Torchwood proper.
Let's ignore for the moment the idea that she would just walk down that dungeon-like corridor without so much as a friendly "Come on in." It's impossible to explain how Lisa performed a brain transplant on herself -- and that she was up and about, fully functional, within minutes of the operation. I can accept that the Cybermen solved the tissue-rejection problem, but that's stretching the idea past the breaking point. Ianto's failure to kill the newly-transplanted Lisa was also beyond belief; how many murders and attempted murders – including his own -- does it take to convince this guy that Lisa has become a monster?
There were a few bright spots amid all this idiocy. Burn Gorman's performance was fantastic again, particularly the scene in which the conversion unit is discovered and he explains it all to Gwen (Eve Myles). Gwen and Owen have nearly as much chemistry as Gwen and Jack, and the scene in the autopsy room put that to good use, also. Rhys (Kai Owen), who has a knack for calling just as Gwen is mid-snog, had the briefest of scenes, hilariously asking Gwen to video Wife Swap. Tosh (Naoko Mori) was a non-entity, again.
As for Jack, he seemed to be channeling Jack Bauer, but given the situation, it wasn't out of character. In the aftermath, will anyone remember that Jack survived Lisa's electrocution, twice? You'd think they would already have noticed his inability to stay dead. Ianto's ranting that Jack was the worst monster of them all illuminated the extent of Ianto's delusions. If Ianto were a teenager, I'd understand all this excess, but since Ianto is both a grown man and gorgeous, it makes no sense whatsoever. Jack's single-minded focus on destroying the threat of another Cyberman takeover was the only appropriate response.
As usual, the show looks fantastic, cheesy inter-species fight scenes aside, and ignoring any lingering X-Files flashbacks that the use of flashlights by male-female teams may provoke. And again, the score heightened both tension and humor, particularly in the Iron Man-like riffs we heard during Lisa's introduction. Clearly, the production values are there, as are the good intentions – but the writers have to step up and make their characters more consistent and their plotlines at least vaguely believable if they want to make a go of this.
Sunday, September 30, 2007
Torchwood, Season One, Ep 4: "Cyberwoman"
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8 comments:
I know it's wrong and everything, but did anyone else think that Caroline Chikezie was really, really hot in that Cyberwoman outfit?
Yes. I thought she made the episode watchable. :)
By the way, they explain why Ianto is miffed Jack doesn't seem to care about his personal life near the end of the season. wink wink nudge nudge
The show starts off a bit unsteady for a few episodes, but they find their grounding later. I think they wanted to avoid X-Files comparisons , but they do have a bit of that, Angel and a dab of Doctor Who thrown in with some movie riffs.
Oh, I didn't think it was as bad as all that--thought the director (Strong, right?) managed to generate some suspense with the Torchwood employees playing hide and seek with the Cyberwoman, actually thought Ianto was touching (hey, maybe it's the male adolescent in me), even thought women would find his devotion touching (guess I was wrong).
Jack showed a suitably hard heart, Gwen was suitably sympathetic (she might secretly wish Rhys was as obsessed with her--fact is, I thought there was some interesting subtext as to the difference between Jack's and Gwen's reaction to Ianto). And if Ianto was overwrought, I bought it. Try staying wallflower for so many episodes--years, presumably--with all that secrecy inside and I might want to crack up myself.
I have to concede, the pterodactyl was lame. But that final twist was interesting--how much perversion and cruelty can one take from one's love?
It's bathos, sure; I thought Ianto's performance was the cue. If Torchwood is as much an exploration of human sexuality and human frailty, this was the 'true love' epiosde, with all the melodrama that implies.
"...we can always hold out hope that the pterodactyl was mortally wounded and won't return."
Hey, don't be mean to Myfanwy -- cutest Welsh pterodactyl on TV! (It was the crew on this episode who gave the pterodactyl the good Welsh name "Myfanwy" (mif-AN-wee). And if you thought the final version of the pterodactyl fight was bizarre, there's some hilarious behind-the-scenes footage of the props guy, wearing a cape with MYFANWY embroidered on the back, standing in for the CGI creature and attacking Caroline Chikezie with a green plastic beak-on-a-stick...)
Ah yes, "Cyberwoman" -- the "Spock's Brain" of Torchwood. There's some richly dramatic ideas in there, but they end up exaggerated to the point of ludicrousness in the execution. Ianto's tragedy should be the darkest moment of the series so far, but it's totally impossible to take it seriously when it's so overplayed, and when Lisa is in a silly Cyber-fetish outfit complete with stack heels. (I had to laugh at Russell T Davies' comment: "There are a lot of men on the team who were absolutely determined to make that Cyberwoman costume as sexy as possible. I've got no idea what they mean... Apparently it's very very sexy...") It had a story worth telling -- and definitely a good change from monster-of-the-week episodes -- but the complete lack of subtlety leaves it as one of the low points of the season.
the "Spock's Brain" of Torchwood.
Thanks for that, Steven -- it's perfect.
I really just couldn't handle Ianto's carrying on, especially given that up to that point, all we'd ever seen of him was calm competence. The story could've been very affecting, they just pushed it too far. And there's no way I'm going to accept anyone, human or Cyberman, performing a brain transplant operation on himself in mere minutes. I'm rejecting any possible fan-wanking explanations, too: the conversion unit could not have done it, it couldn't even do a straight-up upgrade.
I caught a bit of that behind-the-scenes business during one of the breaks in the BBCA broadcast. The hilarity of the outtake does not make up for the lameness of the final product. I'm assuming we'll get some sort of explanation of why Myfanwy lives at Torchwood, eventually? At this point it's just an affectation.
Someday it will make ideal MST3K-ish fodder. Hell, I may even have a Cyberwoman party next weekend...
Glad I wasn't the only one who hated this episode.
What I still can't understand is how Ianto still has a job at Torchwood, after having hidden a Cyberwoman in its bowels for months. What exactly IS grounds for dismissal at that place??
"I really just couldn't handle Ianto's carrying on, especially given that up to that point, all we'd ever seen of him was calm competence."
After months of calm competance, bald-faced lies, and working the equivalent of two full-time jobs without letting it show, I thought Ianto was entitled to carry on when it all went to hell.
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